A Personal Perspective on NASA’s New Direction

February 6th, 2010

Abandon in Place space art
Abandon in Place space art

Yesterday I had the privilege of being interviewed by Steve Grzanich, a reporter for WBBM-AM radio. The topic of our conversation was my reaction to this week’s announcement regarding NASA’s new budget and the decision to cancel both the Constellation program and NASA’s plans for a return of humans to the Moon. In the context of the interview I was speaking as an individual who also happens to be a director for the National Space Society and a vice president of the Chicago Society for Space Studies.

I would summarize my reaction to the new NASA direction as mixed. There is good news in the announcement but also bad news. My feeling is that on the whole, the announcement reflects an administration position that is soft on its support for space exploration.

On the good side is the plan to operate the International Space Station for an additional 5 years - until 2020. ISS was built to provide us with a science platform in space and I viewed it as the height of folly to terminate the station by de-orbiting it in 2015. Who but the government would spend 25 years and over $100 billion to build a laboratory and then abandon it only 4 years after its completion? I would also hope that when 2020 arrives, if ISS is still viable, that it be privatized for continued use and not deliberately destroyed as was originally planned.

The very good news was the expansion of a commitment for NASA to procure commercial launch services. This is something that the space movement has been advocating for years. Such a program was already underway in the guise of the COTS program. COTS - Commercial Orbital Transportation Services - is a program to procure the commercial delivery of cargo and crew to the International Space Station (ISS). One of the driving factors for this was the “gap” - that being the period of time between the retirement of the Space Shuttle and the availability of its replacement via the Constellation program. During this gap, the U.S. government would essentially be outsourcing its access to the space station to Russia.

Tied in with the decision to expand NASA’s procurement of commercially provided services is the administration’s decision to cancel the Constellation program. Constellation is/was the program that would provide both crew (Ares I) and cargo (Ares V) launch vehicles, a crew spacecraft (Orion), and a lunar lander (Altair). Of course there is no reason why both government and commercial launch services could not have been pursued in parallel. Make no mistake - this decision was not made because the Obama administration has become pro-space advocates of free markets. Rather it is in recognition of the fact that private enterprise can probably do the job faster and cheaper and abandoning Constellation means the cost of the Constellation program can be removed from the NASA budget.

The bad news is the cancellation of plans to return humans to the Moon which once again consigns astronauts to LEO (Low Earth Orbit). A pro-space administration would have expanded the commercial program to include calls for private industry to develop a transportation system that could deliver humans and cargo to the surface of the Moon - with NASA signing on for some number of missions. There was no need to throw out the goal of returning people to the Moon.

As to NASA’s proposed budget for the next five years, the annual increases called for will be less than the rate of inflation so NASA’s purchasing power is actually going to decline over time. Given that NASA’s 2009 budget was 18.78 billion (inclusive of stimulus funds, source:NASA Budget Summary) and the proposed 2015 budget is $20.99 billion, this works out to an annual growth rate of a paltry 1.8 percent.

On the good side, the budget will provide $4.9 billion over 5 years for a space technology development program; $3.1 billion over five years for heavy lift vehicle research (recall the newly canceled Ares V heavy lift vehicle); and $7.8 billion over five years for technology demonstrations for spaceflight technologies - if the administration keeps its word. Unfortunately all the technology examples given are technologies initiated in the past but abandoned. For example - inflatable structures. Does anyone here recall TransHab?

One disconnect I noticed was NASA Administrator Charles Bolden’s claim that "Imagine trips to Mars that take weeks instead of nearly a year." This means the development of a non-chemical based propulsion system. Unfortunately there is not one word about the development of such a revolutionary system in the NASA budget statement.

While there is more to say about the new direction being set for NASA, my comments here represent my reaction to the major points announced earlier this week.

The Illustration

Abandon-in-Place is a piece that I created to voice my disappointment at the cancellation of the last three Apollo missions to the Moon - one empty spacesuit for each of the canceled Apollo missions. Given that NASA has now been told by the administration to abandon plans for a human return to the Moon, this artwork seemed an appropriate piece to use. For more information about the art, see the Abandon-in-Place web page.

Ad Astra, Jim

Postscript: The National Space Society has released a press release outlining its position on the new NASA budget. See Welcomes Sci-Tech, Private-Sector Spending In 2011 Budget, But Calls For Continued Human Spaceflight Beyond Earth Orbit

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New Art: Emergent Hand

February 4th, 2010

Emergent Hand
Emergent Hand

I had a tough time naming the newest addition to my Computer Art Gallery. Emergent Hand
started out as a landscape scene inspired by what I observed last year while visiting Bryce National Park in Utah. Upon completion of the piece I realized that I had created a hand. In fact, turning it sideways brought to mind that flying Blue Meanie glove from the Beatle’s movie Yellow Submarine. I found the ambiguity of the piece particularly appealing.

For more information about the art and to see a wallpaper sized version, visit the Emergent Hand web page.

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To Be Anonymous Added to Computer Art Gallery

February 3rd, 2010

To Be Anonymous
To Be Anonymous digital art.

To Be Anonymous is the newest addition to my Computer Art Gallery. Looking at this piece you may find it ambiguous and you’d be right. The subject is anonymity. To the outside observer, everyone in this crowd is anonymous. However, inside this digital painting there is one who, while a part of the group, is separate from it. What you the observer need to work out is this: is that individual turned away from us while the crowd face us, or is it the crowd that has their backs to us and the individual who stares out at us anonymously.

Back tomorrow with another new digital painting.

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Atmospheric Disturbance Added to Computer Art Gallery

February 2nd, 2010

Atmospheric Disturbance computer art
Atmospheric Disturbance computer art

I just finished adding another work of art to my web site. Atmospheric Disturbance is a piece I created earlier this month and which I’ve added to my Computer Art Gallery.

The piece came about as a consequence of considering the invisible turbulence that a particle, ball, or planet creates when moving through some intangible medium. Actually it all started with thinking about that old idea that there was an invisible ether that permeated all space and which would affect the speed of photons as they moved through that medium.

I added Atmospheric Disturbance to my Computer Art Gallery because of the tools and workflow used to create this piece. This piece was created using a combination of my own personal computer graphics software and Adobe Photoshop.

I must confess that one of the reasons that I make use of my own software dates back to a number of years ago when I would be walking through the art shows at science fiction conventions. At that time the range of graphics software used by digital artists was less diverse than today and I prided myself on being able to correctly identify the software the artist used in the creation of their artwork. Especially easy to identify were those pictures created using either Bryce or Poser.

To escape being typecast it seemed best to avoid using mainstream software - Adobe Photoshop being the principal exception. It also seemed like a good idea to diversify and to not become too dependent on any one software package - once again with Adobe Photoshop being the exception.

In the early days I would write using the C programming language. Once Java came along I began using that language. In fact I’m proud to say that I used Java to create the first (as far as I know) web accessible database of Martian feature names which included cross references to Viking images. Java has changed substantially since then. Some recent and useful books on graphics programming with Java are:

In addition to Java, I also make use of a great extension to Java called Processing. While the Java programming language can be pretty intimidating, that is not the case with Processing and I highly recommend it to anyone even remotely interested in doing their own graphics programming. To learn more visit the Processing web site.

I seem to be getting off topic here so to conclude, for a better view of Atmospheric Disturbance, you should visit the Atmospheric Disturbance web page which has a link to a wallpaper sized version of the image.

Look for another new art addition tomorrow

Jim.

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Life Pulse - New Digital Abstract Art

February 1st, 2010

Life Pulse abstract art
Life Pulse abstract art

I must confess. I’ve not been very good at adding art, either old or new, to my web site. In fact I have a rather large backlog for each of the genres of art that I create. To make amends I plan to focus on adding my newest works of art over the coming weeks. The bulk of this art will be added to my Computer Art Gallery.

The first piece I am adding is Life Pulse. This work is currently on display at the Advocate Good Shepard Hospital in Barrington IL as a part of an exhibit of a selection of my digital art. For more, see Art Exhibit at Advocate Good Shepard Hospital in Barrington IL

Additional information about this digital painting and a wallpaper sized version are at Life Pulse abstract art page. Given that the original is 20 inches wide by 15 tall, not much detail is apparent in the wallpaper sized version. It does however provide a good representation of what the full size artwork looks like.

Check back in a day’s time to see what gets added next. And no, I haven’t yet decided what to add next.

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It’s All A Conspiracy

January 22nd, 2010

Conspiracy Crowd
Are You In On It?

Yes they are all in it together. In this case they is that unknown force which has worked to arrange it so that everything that I am even remotely interested in doing is happening on the same weekend in February.

It all started with the Capricon Science Fiction Convention. I will be participating in their art show, deliver two presentations on art, and be a panelist on a number of panels. Capricon is Feb 11-14.

Along comes the Northwest Cultural Council and offers a seminar on State Of The Art Giclee Reproductions. I would love to attend but can’t because it is that same Saturday.

I was then asked if I could do a presentation for the Northern Illinois Rocketry Association at their mini-conference scheduled for the same Saturday. Would have loved to both present and attend but alas no can do.

I was also asked to speak to a school group on that Friday about careers in the aerospace, astronomical, and planetary science fields. Can’t make that one either.

Most of all I would have loved to attend the College Art Association Annual Conference being held in Chicago this year! If it wasn’t for my obligations to Capricon, I would be at this conference.

There was something else as well - I forget what it was but it was the same weekend so that was dismissed.

And oh, I forgot to mention that my older son’s birthday is, yep you guessed it, that Friday!

On the bright side - nothing else has showed up on my radar screen for the other 24 days of the month.

Sadly this seems to be all to typical for me. I distinctly remember after returning from my honeymoon with my wife - we were discussing vacation plans for the next year. Out of 52 weekends I had only one weekend blocked out - that to attend the International Space Development Conference. My wife wanted us to go to California to celebrate her father’s 60th birthday. You guessed it - out of 52 possible weekends her father’s birthday was the same weekend as the conference I was obligated to attend. So for our first vacation post-honeymoon, we spent it a few thousand miles apart.

Being powerless to stop this evil conspiracy, I’ll just shrug it off and do my best to enjoy all those other free weekends.

Jim

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A Visit to the Harper College Art Gallery

January 20th, 2010

Lift Off space art painting
Lift Off digital space art painting

Yesterday I visited the Harper College Art Gallery. The impetus was my decision to enter the 33rd Harper College National Art Exhibition, featuring Small Works juried exhibition. It was my first visit to Harper’s art gallery. Currently on display is an exhibit titled House Painting.

The artist behind House Painting is Matt Irie. The exhibit featured 8 latex paint on wood panel paintings. The common element of all the paintings was the use of only straight lines of paint, each a little more than 1/8 inch wide. The paintings were of two compositional styles. One type featured straight overlapping lines of paint laid out in a horizontal and vertical grid. The second type featured the same straight lines but oriented so that there were no horizontal or vertical lines in the composition.

The House Painting exhibit runs January 19 through February 11 2010. There will be an artist’s reception on February 3. For more information, phone 847.925.6568.

Probably planned to coincide with the main exhibit, on the wall adjacent to the gallery exhibit was a collection of 16 lithographs by conceptual artist Sol LeWitt. The 16 lithographs are from the Suite 1 series dated 1970. Suite 1 consists of tightly packed squares of short vertical pencil strokes.

The Illustration

To illustrate this post I’ve used the digital painting Lift Off which I completed last spring but am only now adding to my web site. My choice of colors and brush style for this piece are meant to impart to the viewer something of the exuberance of witnessing the launch of a space ship. The model for Lift Off was a NASA photograph of a Space Shuttle launch. To view larger versions of this picture, and for additional information, see Lift Off

Ad Astra, Jim

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Art Exhibit at Advocate Good Shepard Hospital in Barrington IL

January 14th, 2010

Life Pulse digital abstract art
Life Pulse digital abstract art by Jim Plaxco

Monday 01/11/2010 saw me setting up an exhibit of my digital art at the Advocate Good Shepard Hospital in Barrington IL. The art exhibit will run through April 4, 2010 and is sponsored by the Northwest Cultural Council’s Corporate Gallery Art Program.

For the sake of consistency I had to decide on what style of art to include in the show. My choices were either astronomical art, space art, or abstract art. I chose abstract art as that was most likely to have the broadest appeal. Note that some of the abstract art I create is done using a technique that I term algorithmic gesturalism. To elaborate, in algorithmic gesturalism I make use of an algorithmic based art program of my own creation which takes as input the "brush strokes" of my hand. Two examples of this technique are Geometer’s Dreamscape and Finding My Center of Gravity - neither of which appear on my web site.

Included in the art exhibit are four new works of art that I have not previously exhibited:

  • Life Pulse
  • Impression of Water Lily
  • Bionic Cnidaria
  • Microscopic Metropolis

The five other works of art in the exhibit are:

  • Geometer’s Dreamscape
  • Shades of Escher
  • Harmony of Spheres
  • Contemplating Infinity
  • Finding My Center of Gravity

Of the nine works of art, the only one listed on my web site is Contemplating Infinity. Unfortunately I just haven’t been able to find the time to post more of my art to my web site. I should make that a belated New Year’s resolution.

The Illustration: Life Pulse

I created Life Pulse, a 20 by 15 inch abstract, earlier this month. The idea for this painting came to me while sitting in a doctor’s office in Arizona last month and watching the ever changing pattern of lines on an EEG display. Wave like yet irregular, long periods of tranquility with brief bursts of storm like activity. That was the inspiration for the painting Life Pulse.

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How to Prepare Your Art for Galleries Seminar

December 13th, 2009

A Mondrian Gone Bad
A Mondrian Gone Bad

Yesterday I attended the seminar How to Prepare Your Art for Galleries presented by Jason Peot. This was one of six seminars for artists sponsored by the Northwest Cultural Council and was held at the Barrington Library. Jason Peot teaches sculpture at Harper College and is curator of the Harper College Art Gallery. I didn’t know it but Jason too got his Masters Degree from Northern Illinois University. Go Huskies.

Jason’s presentation was not so much about how to prepare your art for galleries but how to get your art out on public display. According to Jason, art galleries are not currently looking for new artists. The economic downturn has been particularly hard on the art galleries and many have closed. Jason confessed that of the Chicago art galleries that have exhibited his work, all are now out of business.

Jason began by stressing that the first question an artist needs to answer is what do you want out of your art? What you want your art to do for you helps determine your path. Answering the question "Do you want your art to be seen or sold?" affects the path you take on getting your art in the public view. Mr. Peot was very big on building your resume by participating in juried competitions and shows. His suggested path was to begin by getting your art into juried shows. The next step is exhibiting in invitational and curated shows. Finally at the top are solo exhibitions.

As a part of his talk, Mr Poet gave a brief slide show of several of the exhibitions he has had over the years. Most impressive was his public commission for a permanent work installed at McCormick Place. Titled Intersect 102, it is a work of installation art that combines light and shadow to represent Illinois’ 102 counties.

Jason also shared that these days he is more interested in having his art acquired by museums and that he is actively pursuing that path. In response to my question about how does one go about getting a museum to acquire your art work, Jason said that it is primarily through collectors who have an association with an art museum. He pointed out that much of the work on display in museums has been donated to the museums by collectors as the museums themselves just don’t have the budget to be able to purchase art.

The next seminar in the Northwest Cultural Council series will be held January 9 2010 and is How to Write a Winning Resume, Bio and Artists Statement by Deborah Rosen who is a published poet and editor of RHINO, an award winning poetry journal.

The Illustration: A Mondrian Gone Bad

The illustration used for this post is A Mondrian Gone Bad. So how did this picture come about? A couple weeks ago I was in the process of creating 12 pictures in the Neo-Plasticism style of Piet Mondrian. These would serve as illustrations for my Faux Mondrian 2010 calendar for my just created account on Redbubble.com. I had completed 11 and was working on the final image. In fact I had completed the 12th image but then felt the urge to wreck this final image as a form of rejection of the strict formalism of Mondrian’s Neo-Plasticism.

An early example of this style is Composition with Red, Blue, Black, Yellow, and Gray which can be seen at the Museum of Modern Art web site - or this example from the Guggenheim:
Composition No. 1; Composition with Red, 1938–39.. While these are typical of Mondrian’s best known style of work, I much prefer his earlier output. For example, Church in Domberg painted in 1911.

For more information about Mondrian’s Neo-Plasticism, the San Francisco Museum of Modern Art has a nice interactive web feature that explores Mondrian’s Composition with Red, Yellow, and Blue.

For a better look at my bad Mondrian, visit my
A Mondrian Gone Bad print on redbubble.com.

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Windycon - Dystopia, Space, and Art

November 13th, 2009

Windycon Art Show
Windycon Art Show web page

I’ll be spending this weekend at the Windycon 36 Science Fiction Convention. If you haven’t heard of Windycon it is one of the Midwest’s largest regional science-fiction conventions with an average attendance of over 1300.

I will of course be participating in the art show. Kerry Kuhn (aka Trouble) will be running the art show again this year which means that everything will go smoothly. I always enjoy touring the art show and seeing what the other artists are up to. I especially enjoy the Friday night wine and cheese reception which allows the artists and potential buyers to mix, mingle, and make merry. Another feature of the art show is the art auction held Saturday night and run by Bob Passovoy. It’s probably one of the most entertaining art auctions you’ll ever attend.

I think that I’ve attended most of the Windycons over the last 20 years and this one certainly has the lightest personal workload. I typically give one, maybe two, presentations and participate in a few panel discussions. This year I offered no talks and was assigned to a single panel. But that panel is a good one. Titled Dystopia Begone, the panel’s description is:

Does the future have to be so grim? Is our future really overcrowded, polluted and unequal? What books are interesting, good to read, and have a positive view of the near future? Or is there a positive view? Our panelists discuss the world of the next 100 years.

The panelists will be myself, E.E. Knight, Michael Williamson, and Gene Wolfe.

When it comes to science fiction and dystopian views of the future, I must say that I find the subject appealing. Looking over this Wikipedia list of dystopian literature, I find that I have read and enjoyed quite a few of the novels listed.

Based on memory I would have to say that of the ones I have read, my five top favorites are:

  1. The Moon Is A Harsh Mistress by Robert Heinlein - 1966
  2. 1984 by George Orwell - 1949
  3. Brave New World by Aldous Huxley - 1932
  4. Fahrenheit 451 by Ray Bradbury - 1953
  5. A Clockwork Orange by Anthony Burgess - 1962

For my money, The Moon Is A Harsh Mistress and 1984 are far out in front of the other three on my list.

And in getting back to the future, I will also be participating in a planning meeting for the 2010 International Space Development Conference (ISDC) - being held Saturday morning at the hotel. The International Space Development Conference is an annual conference sponsored by the National Space Society for which I am a director. I tried to avoid becoming deeply involved in the ISDC for fear of being stretched to thin. However I failed miserably. In addition to now being the official photographer for the 2010 ISDC, I am also managing the Call for Papers and find myself to be the Web Site Coordinator. You’ll be reading more about this in the future.

But for now, for more information about the Windycon Science Fiction Convention, go to http://www.windycon.org/windy36/. For the Windycon art show, visit Windycon Art Show page.

If you’re attending Windycon, keep an eye out for me and don’t forget to visit the art show.

Ad Astra, Jim

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