Archive for the ‘Art and Artists’ Category

Artist’s Reception And Poetry Reading in Arlington Heights IL

Saturday, July 17th, 2010

Photoshop Abstract Whirlpool digital art
Photoshop Abstract Whirlpool

The Northwest Cultural Council will host an Artist’s Reception and Poetry Reading on Saturday July 17, 2010 from 1:00 to 3:00pm. Admission is free and refreshments will be served.

The artist’s reception and poetry reading will be held at the Arlington Green Executive Centre located at 2101 S. Arlington Heights Road, Arlington Heights, IL.

I will be attending the artist’s reception and am looking forward to the opportunity to meet both those interested in my art as well as the other artists.

Unlike my last art exhibit at the Arlington Green Executive Centre Gallery, which consisted solely of abstract computer art, this time my works are space art and astronomical art.

The art exhibit is a part of the Northwest Cultural Council Corporate Gallery Exhibition Program. The Northwest Cultural Council’s Corporate Gallery Exhibits reflect a wide variety of media, artistic expression and vision of the artists. Artists with work on display in the art exhibit are:

Betty Morley Arlington Heights
Mirella Scully Mount Prospect
Min Ja Lah Schaumburg
Carl Jalowiec Palatine
Beverly Miotke Roselle
Claire Vogt Wally Barrington
Gail Baar Buffalo Grove
Joan Brinkworth Arlington Heights
Jim Plaxco Schaumburg
Irene Oleksiuk North Barrington
William Dunn Arlington Heights
Robert Cobb Rolling Meadows
Deanna Goldberg Buffalo Grove

The art currently on exhibit at the Arlington Green Executive Centre will remain on display through August 2, 2010. The art can be viewed Mondays through Fridays from 9:00 am to 5:00 pm and Saturdays from 9:00 am to 12:00 pm.

All art in the exhibit is for sale with a percentage of the sale price being a tax-deductible donation to support the activities of the Northwest Cultural Council, a not-for-profit community agency bringing visual art, music, dance, theater, poetry, and their unique “Kids Meet Art”™ program to the northwest suburbs of Chicago.

In addition to the art exhibit and the artist’s reception, there will be a poetry reading. Poets reading their work at the reception are:

Angela Narciso Torres Glenview
Kathleen Kirk Normal
Patricia McMillen Oak Park
Virginia Bell Evanston
Steven Schroeder Chicago
Maureen Flannery Evanston
Susanna Lang Chicago
Helen Degen Cohen Deerfield
Deborah Nodler Rosen Glencoe

So if you’re in the northwest suburbs and are looking for something to do, I suggest checking out the Northwest Cultural Council’s Artist’s Reception And Poetry Reading.

The Art - Photoshop Abstract Whirlpool

Titled Photoshop Abstract Whirlpool, I created this piece this morning to serve as the illustration for this post. Strange to believe that I used as a starting point a photograph I took of baggage transport carriages at O’Hare Airport. The final piece seen here was created by using a combination of Photoshop filters, layer blends, layer styles, and adjustment layers. Isn’t digital wonderful!

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The 2010 NASA Moon Art Contest

Saturday, May 22nd, 2010

NASA Art Contest

Last night I finished casting my votes as a judge in the NASA Life and Work on the Moon Art & Design Contest. The art contest is open to all high school and college students. This is the third year NASA has run this contest and this is my third year as a judge for the contest. The contest has really grown in terms of the number of submissions received. NASA has Elizabeth Ward, the art contest’s coordinator, to thank for that. Judging the first year was pretty easy in that it didn’t take much time. This year was another matter entirely. The number of submissions has grown dramatically.

The judging criteria has changed somewhat from the previous contests. In the contest’s first year, judges were expected to evaluate submissions based on the Artist Statement (worth 20 points), Artistic Elements (worth 30 points), Creativity (30 points), and Validity (20 points). Dropped from the criteria after the first year was the artistic elements component. This year the judging criteria are Artist Statement (20 points), Creativity and Artistic Expression (50 points), and Validity (20 points).

For the Artist Statement, students are to explain what inspired them, what artistic media they chose and why, and anything else they want to say about their artwork. Not surprisingly the quality of the artist statements was as varied as the quality of the submission.

The Creativity and Artistic Expression was more subjective as there are no really definable standards to guide a judge - other than their own experience. For example there was one artwork that was pretty good artistically but the imagination that went into creating the piece led me to give it more points than I would have on purely artistic grounds. Another judge may have responded quite differently.

In many cases, judging Validity was the most difficult. Validity refers to the scientific accuracy and degree of understanding of the space environment. For example in the case of a painting that consists only of a space suited astronaut walking on the surface of the Moon - does the person really understand that environment? Some artists did not reveal a lack of understanding in their art but did so in their artist statement. Others made their degree of understanding, or lack thereof, apparent in their art. For example, people without spacesuits on the Moon is kind of a dead give away.

In spite of the large number of submissions I felt compelled to vote for all submissions in the visual categories. My rationale was that voting for some but not other works would skew the final results in that the way in which I award points is likely to be different than the way in which other judges award points. The visual categories for the contest are 2D art, 3D sculpture/dioramas, Digital art, and Video. The two categories in which I did not vote were Literature and Music.

The Biggest Pleasure
What I found most rewarding about the experience was having the opportunity to review the art, think about its meaning, admire its quality, and read the artist’s words about their intent and inspiration.

The Biggest Disappointment
What I found most disheartening was that overwhelmingly the art depicted NASA facilities on the Moon. I know it is a NASA art contest but if we are going to have a large scale human presence on the Moon, then realistically it is going to take more than a government agency to make a go of it. When I go to the Moon, I want to hit Starbucks for my latte, stay at the Lunar Hilton, and dine at the local Uno’s. So while many of the students participating in the art contest showed a solid grasp of the lunar environment and what we could do on the Moon, I don’t recall any of them really featuring the role of private enterprise.

Conclusion
Given the recent decision of the Obama administration to cancel NASA’s plans for a return to the Moon, I will be most interested to see what happens with respect to the future of this art contest.

Links

To get details on the 2010 contest, visit the NASA Life and Work on the Moon Art & Design Contest site. You may also want to take a look at the Winners of the 2009 art contest

I previously wrote about the NASA art contest in the following blog posts:

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From A Creative Block Comes An Artist’s Creative Angst

Tuesday, May 18th, 2010

Creative Angst
Creative Angst digital painting

So here’s a picture I did earlier this year and only now added to my web site. It is a self portrait and the idea behind this digital painting is the visualization of the mood of having a creative block.

Now there are lots of articles on the web about how to deal with a creative block. Suggestions on where to look for sources of mental inspiration. Advice on how to change your frame of mind. If you cruise over to amazon.com and search on creative block, the number one hit is a 672 page book Creative Block by Lou Harry "with 500 ideas to ignite your imagination."

Rather than fight my creative block, I decided to turn the tables on it by creating a visual representation of my creative block - hence Creative Angst. For complete details on this digital painting, see Creative Angst gallery page.

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The New NSS Space Art Gallery

Saturday, May 15th, 2010

Shattered Dreams digital painting
Shattered Dreams digital painting snippet

On Wednesday, I flipped the switch and the National Space Society’s Space Art Gallery went live. Creating the NSS Space Art Gallery has allowed me to combine two of my loves: art and space exploration. I was actually drawn to art because of space art. As a child I found the paintings of astronauts exploring distant worlds enthralling. Later I became a member of the National Space Institute (now the National Space Society) because of their work on promoting the human exploration and development of space.

Being a director of the NSS, as well as the chair of the NSS Web Oversight Committee, put me in the unique position to address what I saw as a problem. While there are a number of web sites that focus on astronomical art, their really is no central hub for art that focuses on the human exploration of the solar system. There are several NASA sites that feature space art but they are limited to art created in the past to document previous space missions and what little future looking art there is is tied to specific NASA programs.

My first undertaking to address this issue was in response to a request to chair a NSS committee whose job it would be to create a space calendar. Rather than relying on stock NASA space art, I turned the task of illustrating the calendar into a space art contest. Thus was born the NSS’ first Space Settlement Art Contest.

Subsequent to that experience I proposed that the NSS create an open space art gallery to which artists could apply for exhibition. I saw this as being a win-win situation for all concerned. The NSS would benefit by having a new source of content for the web site and by showing our support for space art and artists by providing this free service. The artists would benefit from the exposure they receive since the NSS web site has a very high page rank and traffic rank. And of course lovers of space art will benefit by having a central source of space art that they can visit.

To get the space art gallery up and running, I contacted a few of my space artist friends and asked if they would like to participate. Much to my delight they all agreed. The founding artists of the NSS Space Art Gallery are Frank Hettick, Walter Myers, David Robinson, and myself. In fact, David Robinson allowed NSS to use one of his works as the background image for the 2010 International Space Development Conference. for which I am the web master. In fact being the web master for the 2010 ISDC is one reason why I have not been more active of late in posting new material to my own web site and blog.

So please check out the new National Space Society Space Art Gallery. While the gallery currently has just 20 works of space art, I am hoping that as more artist’s join, this gallery will grow to become the web’s most significant collection of space art.

The Illustration Shattered Dreams

Just what is that a picture of? Well, it is a very small fragment of a digital painting titled Shattered Dreams. I created this work of digital art to serve as the cover art for the 2010 International Space Development Conference Program Book. I was inspired to create this art as a consequence of a debate I was having with another National Space Society director over the new Obama space policy. Yes, it is true that you never know where inspiration will come from. I am also donating one of the ten limited edition prints to the NSS space memorabilia auction that will be held at the ISDC. I will not reveal the full painting until the start of the ISDC so you’ll just have to check back here in a couple weeks to find out what it looks like - that or attend the ISDC.

Ad Astra, Jim

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Art Show and Showing Art

Wednesday, May 5th, 2010

Lift-Off digital painting
Lift-Off digital painting

Over the weekend I visited the Block Museum of Art to take in The Brilliant Line and Engraving the Ephemeral exhibitions of engravings. A great show and one I recommend folks visit before it closes on June 20. For my review of the exhibition and details, check out The Art of Engraving at the Block Art Museum.

On Monday I visited the Arlington Green Executive Center to install some of my art. As the bulk of my abstract art is currently on display at the Rolling Meadows Public Library (which I haven’t even listed yet on my web site) and since I previously displayed only abstract art at Arlington Green Executive Center, this time I decided to go with some of my space art. I was only provided with space to hang three pieces. The works I choose to exhibit are:

  • Astronaut Glory II created in 2009
  • Lift Off created in 2009 and shown above
  • Glacial Mars - a piece I created in 2008 but have not yet added to my web site

My art will remain on display there until August 2, 2010.

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Chicago Art Open Preview and Benefit Party

Thursday, April 22nd, 2010

Digital Painting To Be Anonymous
Digital Painting To Be Anonymous

I attended the Chicago Artist’s Coalition Chicago Art Open Preview and Benefit Tuesday night. The event was held at the River East Art Center. My reason for attending was that I responded to a Call for Entries for the Chicago Art Open so one of my pieces is in the show.

You can read more about the event and check out a few photographs that I took at Chicago Art Open Reception at River East Art Center.

You can view my art - To Be Anonymous - in the 2010 Chicago Art Open Photography Section. Unfortunately they miscategorized my art as photography and despite requests that it be moved to the "Works on Paper" category (and to correct their misspelling of the title) that has not happened yet.

The Illustration

The digital painting To Be Anonymous which is on view in the Chicago Art Open at the River East Art Center in Chicago.

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Art Show + New Art + Art Open

Wednesday, April 7th, 2010

Microscopic Metropolis
Cropped Microscopic Metropolis

Art Show

Monday I took down my art exhibit at the Advocate Good Shepard Hospital (more info here) and set up a new art exhibit at the Rolling Meadows Public Library. The new show features 11 digital paintings. The art is displayed on the library’s second floor. More information to follow.

New Art

I just added new art to my web site. Microscopic Metropolis, cropped version shown above, was inspired by the visual similarities between cities as seen from Earth orbit and the veins of a leaf as seen under a microscope and is yet another illustration of the fractal nature of the universe.

Art Open

My art submission to the juried Chicago Art Open Exhibition made it into the show. The show will be held at the River East Art Center in Chicago. The public opening of the show is Saturday, April 24th at 12 noon. To kick off the exhibition there will be a Preview, Benefit and 35th Anniversary Party on Tuesday, April 20th from 6:00 to 9:00pm. There will be hors d’oeuvres, wine, music, a silent auction, and over 300 works of art for sale. For more info and to purchase tickets for admission to the preview and benefit, see PREVIEW BENEFIT PARTY - Chicago Artists Coalition

So until next time I leave you with the words of George Bernard Shaw:

Imagination is the beginning of creation.
You imagine what you desire, you will what you imagine and at last you create what you will.

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Art Magazines and My Ith Rule of Composition

Wednesday, March 24th, 2010

Vermeer Art of Painting
Cropped The Art of Painting by Johannes Vermeer

I visited a local bookstore yesterday to go through their various art magazines. Going through these magazines I am in search of visual inspiration, art news, resources on the web, and digital art techniques. In yesterday’s session, I looked through the following magazines:

  • Artforum
  • Computer Arts
  • Computer Arts Projects
  • Digital Artist
  • Digital Arts
  • Digital Studio
  • Elephant (first issue of a new art magazine).
  • Eye
  • Frieze
  • New Art International
  • Raw Vision

While reading Artforum, I came across an article More than Meets the Eye and my gaze fell upon one sentence in that article:

"The compositional rigor of Noland’s painting was, in my opinion, beyond reproach."

Compositional rigor? My first thought upon reading this sentence was that it made judging art sound like judging the figure skaters in the Olympics. The judges have their rules, check lists, and parameters in order to grade the performance of the athletes. It seems to me a rather cold way in which to consider a painting.

For those unfamiliar with the concept, composition in art is basically about how the picture is put together. It is about the individual elements of the image and how they are arranged and used with respect to one another. With this in mind, there are a number of so-called rules that the artist should follow in order to create an aesthetically pleasing painting.

Personally I like to think that I do not consciously consider the rules of composition when I either look at or create a picture. In fact with respect to my own art, I try to follow the Ith rule of composition which is a rule that I created. The Ith rule of composition says to ignore rules 1 through I-1. Following the Ith rule of composition insures that creativity is not constrained.

The Illustration

Rather than use one of my own works of art, I opted to use The Art of Painting painted by Johannes Vermeer circa 1661. Note that I have cropped the painting to fit this space. To learn more about Vermeer and his art, check out the Essential Vermeer web site.

 

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BLUECANVAS Art Contest and New Art

Thursday, March 18th, 2010

With A Flourish
With A Flourish

The folks over at BLUECANVAS Magazine are having an art contest with the winners to be published in the next issue of their magazine, that being issue five. The deadline for submitting art for the contest is April 16, 2010 and there will be 4 to 6 winners chosen. The theme of this contest, BLUECANVAS Magazine’s second such contest, is solace and artists are asked for their interpretation on this theme. From the contest web site, There is no right or wrong interpretation, we just want to see what you come up with.

There is no fee to enter the contest. Instead the magazine requires that those wanting to participate in the contest create an account with BLUECANVAS, which is free; put your art in the art gallery associated with your account, and then contact the magazine and inform them which item(s) in your gallery you wish to submit to the contest. You can see the profile that I created for myself at http://www.bluecanvas.com/jimplaxco/

The stated judging criteria for submissions are originality, technique, and title/description. There is a limit of 3 submissions per artist. For complete contest details, see http://www.bluecanvas.com/contest.php

The theme of solace is an interesting choice. I don’t have anything in my existing body of work that would be appropriate for this theme and at the moment I’m drawing a blank on what I could create that would be appropriate.

The New Art

To illustrate this post I’m using digital art that I just added to my web site titled With A Flourish. For complete details, see the With A Flourish gallery page.

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New Art, a Poem, and Digital Art Reflections

Saturday, March 13th, 2010

Impression of Water Lily
Impression of Water Lily

I just added new art to my Nature Gallery. Impression of Water Lily is a digital semi-abstract impression of a water lily. This is what I hope to be the first in a series of evolving impressions of similar botanic pieces. My objective is to experiment with different digital techniques of representing various flower-like structures found in nature.

Regarding computer art, here’s a poem I’ve just written that in part reflects the intellectual challenges faced by the digital artist.

I really like computer art
Painting with pixels is sweet
But reading all those manuals
Is anything but a treat.

One advantage traditional artists have over their digital artist counterparts is that after all these years paintbrushes are still paintbrushes and pencils are still pencils. Given the static nature of their tools, traditional artists can focus on refining their mastery of their tools. The same is not so for the digital artist. It frequently happens that even before one can master a particular digital tool, or explore its full range of potentialities, a new version of that tool or another tool comes along to replace it and the learning process begins anew.

The tools I learned how to use when I was first exposed to digital art (computer art as it was then known) in the early 1980’s are extinct today. In fact, today I’m only using one of the tools that I learned and was using in the 1990’s. It is the one graphics software that I have used the longest. I started with Adobe Photoshop 5 circa 1999 but today’s Photoshop CS4 bears little resemblance to that first version.

I fully expect this rate of change to continue. As operating systems progress and change; as old hardware dies; as graphics software packages cease to be supported and their owning companies go out of business; and as new graphics software offerings supercede in functionality capabilities of older software; we digital artists will remain on the upgrade treadmill with our noses buried in the manual of our newest digital tool.

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