Archive for the ‘Space Art’ Category

June in Review: New Art and a Vacation

Friday, July 3rd, 2009

Self Portrait at Bryce Canyon National Park
Self Portrait at Bryce Canyon National Park

I can’t believe the month of June went by without a single post to my blog but it was a very busy month. Following is a review of my activities for the month. I’ll write later about the drive crash that delayed this update.

It began with my return from the International Space Development Conference in Orlando FL. I arrived at the conference hotel on Wednesday and departed on Sunday with my only excursions out of the hotel being to grab some fast food as a low cost alternative to the hotel restaurants. At the conference I gave a formal presentation on space solar power and an informal presentation about the National Space Society to a group of students from India. I also was a participant in the conference’s space art show. That show was a terrible disappointment to me. There were only a few artists participating and we were hidden in a back corner of the exhibit room with no signage indicating that there even was an art show or that space art was on display. There were also other problems which I won’t go into detail on here. I did take a number of photographs and submitted a selection of them to Ad Astra magazine for possible publication - several of which will appear in the magazine’s next issue.

The next week was spent playing catch-up and preparing for a two week trip to Arizona and Utah. While in Arizona we visited my Mother and did a number of jobs for her around the house. We then took off for a quick tour of three national parks. Our first stop was the Grand Canyon. From their we proceeded to Bryce Canyon National Park in Utah and after a couple days there headed south to Zion National Park. So which was our favorite national park? A poll of the family afterwards gave the award to Zion National Park with Bryce coming in second and the Grand Canyon bringing up the rear. I will write in more detail about my experiences at each of these parks at a later time.

Upon returning home, it took me some time to catch up with email. I also went back to work on my web site. In addition to making a number of minor cosmetic changes to the site and correcting some previously undiscovered errors, I spent some time doing SEO (search engine optimization) work. Earlier in the month I had purchased the book The Truth About Search Engine Optimization by Rebecca Lieb. I’m only half way through the book but am quite impressed with what I’ve seen so far and am using its advice to improve my own site’s standing in the search engines.

In addition to the aforementioned site maintenance, I’ve also added two new art galleries. The first is a Computer Art Gallery featuring art that combines elements of algorithmic art with freehand digital painting. All the art in this gallery will have been created using interactive algorithmic software of my own design.

The second gallery is a Space Art Gallery featuring art that commemorates human space exploration. I previously had a Space Art Gallery that contained astronomical art. All of that art, depicting astronomical scenes including planets, moons, nebula, and stars, has been migrated to a new Astronomical Art Gallery.

I also prepared an application and submission package for participation in a corporate art gallery program. My inclusion in that program is a long shot as none of the artists in that program are digital artists nor does my artistic style match that of the other artists. However, nothing ventured nothing gained.

The Illustration

The picture I used to illustrate this post is a self portrait taken at Bryce Canyon National Park. This photograph was taken about an hour after sunset. With my camera on a tripod, I set my camera to its slowest ISO speed and the lens aperture to its widest opening. Opening the shutter for a 13 second exposure, I had ample time to amble around to a position in front of the camera after several seconds of exposure had already elapsed. I remained in the field of view for several seconds before exiting the scene. The result was the ghostly effect seen in the photograph.

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Schaumburg Prairie Arts Festival

Tuesday, May 26th, 2009

Schaumburg Prairie Arts Festival
Schaumburg Prairie Arts Festival

Saturday the kids and I attended the Schaumburg Prairie Arts Festival. It was beautiful weather for an outdoor fair. This is the 22nd year for this annual juried fine art festival. Over 150 artists and artisans participated in this year’s festival.

My prime motivation for attending was to see what other artists were up to. I confess to having largely ignored the artists specializing in sculpture, blown glass, jewelry, and pottery. My focus was on the work of the photographers and painters.

With respect to photography, one thing was evident: digital photography has become the dominant form of photography. Photographic works came in three basic forms. The first form was what I would call pure photography which consists of photographs with no apparent digital manipulation. The second category would be photographs in which various types of digital manipulation were evident - at least to someone experienced in such matters. The third category would be photographs that had been digitally altered to resemble paintings - a path most frequently taken by those working with Adobe Photoshop or Corel Painter.

I have no personal bias either for or against any of the three aforementioned categories. Rather, the only thing that matters to me is the end product. If someone can take a well composed photograph and skillfully manipulate it to create a convincing painting that is superior to the original photograph, then kudos to that photographer-artist. After all, the final image is what counts.

There were a number of traditional painters present at the art fair as well but for the most part their work, mostly executed on large canvases, was uninspiring. I found this to be particularly true of the abstract artists - though there were a few whose work was inspired.

Thinking back, one thing I don’t recall seeing were any purely digital paintings. Nor were there any artists whose work was the result of a 3D render. Being a fan of space art and astronomy, I was also disappointed to see no space art nor any astronomical art. The closest was a digital photograph of the Aurora Borealis.

Speaking of space art, the reason I am writing this entry so late (oops make that early) is because I spent Memorial Day and this evening (now yesterday) preparing artwork for the Space Art Show at the International Space Development Conference in Orlando Florida. I also created a 13 x 19 inch congratulatory space art card for Peter Kokh, the recipient of the National Space Society’s 2009 Gerard K. O’Neill Award For Space Settlement Advocacy. I do hope that Peter enjoys the card/artwork.

Until next time, Ad Astra

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New Space Art: Titan Landscape

Monday, May 18th, 2009

Titan Landscape Space Art
Titan Landscape Space Art by Jim Plaxco

I’ve just added another work of space art to my web site. Titled Titan Landscape, this is an artistic impression of the surface of Titan as seen from a low altitude. Prominent in the piece are a number of lakes and pools of liquid ethane. Their presence is based on analysis of data from the VIMS (Visual and Infrared Mapping Spectrometer) instrument on Cassini and reported on in the July 31 2008 issue of Nature. For more information on this instrument, see the Cassini Visual and Infrared Mapping Spectrometer web page.

Titan Landscape is something of a departure for me. As a rule I have stuck to working with either the inner solar system, specifically Mars and our Moon, or extrasolar objects. For a more complete description of Titan Landscape and to view a wallpaper version of the art, visit the Titan Landscape Gallery Page. Alternatively, an open edition print version with multiple, sectional full size excerpts can be seen at the Fine Art America Titan Landscape page.

Ad Astra, Jim

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Remembering Apollo

Tuesday, May 12th, 2009

Remembering Apollo digital painting
A section of the Remembering Apollo digital painting

I was recently reading about the NASA pull back on its plan to send humans back to the Moon (see NASA may abandon plans for moon base) and could only shake my head in dismay.

A few weeks ago I had the chance to speak to the high school students from three high schools all of whom were members of the Space Exploration Club. My presentation was about what it takes to design and build a lunar base. As a parallel, I used the Army’s experiences with planning, building, and maintaining Camp Century. Camp Century is/was the fabled nuclear powered city under the ice. Today the name Camp Century is probably best known for its ice core samples which have played a prominent role in helping us to understand the Earth’s climate record. Camp Century was abandoned in 1966 due to the shifting movement of the glacial ice cap. This city was eventually crushed by that slow, steady movement.

I spoke to this group of 50 high school students about Camp Century and lunar bases for a solid hour and then answered questions for maybe another half hour. For me, it was a very enjoyable experience seeing how interested these students were in space exploration, science, and energy.

And then I read that NASA may not build a lunar outpost. That plus the news that Orion will be sized to carry only 4 instead of 6 astronauts is a clear indication that NASA’s fortunes have taken a turn for the worse. I find it hard to understand how the political leaders who spend so much time and effort telling us that we must be graduating more engineers and scientists can simultaneously scale back the one program that is such a source of inspiration to students wanting to become engineers and scientists. Does the left brain know what the right brain is up to in Washington?

This got me to thinking about the Apollo missions and the large influence that they had on my life from a philosophical perspective. The quest to understand and know the universe combined with our efforts to grow humanity so that it can exist beyond the confines of Planet Earth is a noble adventure that should be emphasized rather than trivialized. It was the contrast between what is and what could be that led me to create Remembering Apollo because right now memories of man on the Moon is all we have. I wonder just how long we can survive living off memories.

For me Remembering Apollo captures the most important features of the Apollo missions. There is the barren lunar landscape so aptly described as "magnificient desolation" by Apollo 11 astronaut Buzz Aldrin. There is the Lunar Module - the machine that made it possible for the astronauts to land on and return from the Moon. Then there is the Astronaut - the most important element that made the Apollo missions distinct from all the other space exploration missions, mostly forgotten robotic missions to the Moon. In the book Robots in Space: Technology, Evolution, and Interplanetary Travel, an unnamed NASA official is quoted as saying “We don’t give ticker tape parades for robots.” We remember Neil Armstrong, Buzz Aldrin, and Michael Collins, but who remembers Ranger, Lunar Orbiter, or Surveyor? The last element is the United States flag, the symbol of the nation that went to the Moon in peace "for all mankind." I must say how fortunate I consider myself to be in being a witness to this, humanity’s first small step into the wider cosmos.

Creating the Remembering Apollo digital painting

The Remembering Apollo digital painting is 5580 pixels wide by 3412 pixels tall and was digitally painted using the same technique that I developed for Quantum Moon. The digital tools that I used were a Wacom tablet, Adobe Photoshop, and a digital painter program of my own design. For other details on the picture, as well as to see both the complete picture and a full size section of the art, see the Remembering Apollo gallery page. Alternatively, an open edition print version with multiple full size excerpts can be seen at Fine Art America.

Ad Astra, Jim

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Judging the NASA Lunar Art Contest

Tuesday, May 5th, 2009

Space Art Experiment
A Space Art Experiment just for this post

I spent a good part of the day Sunday judging the art that had been submitted to the NASA Life and Work on the Moon art contest. Last year I served as a judge in this contest and was pleased to be invited back again this year. The contest’s art judges fall into two categories. One category consists of NASA personnel - the techies. The other category is professional artists and educators from outside of NASA. I wrote about my experiences last year in Judging the NASA Life and Work on the Moon Art Contest.

Two things made judging the art contest entries difficult. First, while the contest was open only to full time students, the age of the entrants ran from 6th graders to college graduate-level students. Note that the contest was supposed to be for high school and college students only but given that these younger students had undertaken the effort to create art for the contest, how could they be turned away? My hat is off to NASA for having accepted their entries. A second aspect of the art contest that added difficulty was that entries consisted of 2D art (digital and traditional paintings, drawings, etc), videos, music, sculptures, and dioramas. A very diverse range of art forms from a very diverse range of ages.

Judges were asked to grade the submissions based on three categories. The first was the Artist Statement. The purpose of the Artist Statement was to give the students the opportunity to explain what it was that inspired and motivated them with respect to their submission, what media they chose to use and why, and any additional comments they cared to make about their art submission.

The second category was Creativity and Artistic Expression. This was the most important judging category and also the most subjective. For my part I took into consideration how the artist used composition, color, and line in creating their artwork. I also considered how realistic - or plausible - the subject was. Lastly I considered both the quality of the technical execution involved and the relevance of the art to the contest’s stated theme of living and working on the Moon.

The final category was Validity. For validity, the basic question to be answered was did the artist’s Artist Statement and artwork demonstrate a basic understanding of the lunar environment and the conditions in which people would live and work on the Moon. Some of the student artists demonstrated a surprising degree of knowledge in this respect while others demonstrated some very basic misunderstandings of that environment. In some respects this was the most difficult category to evaluate. The degree to which a contest entrant demonstrated their level of knowledge was very dependent on the nature of their submission. For example, the music submission dealt with the emotions felt by an astronaut returning to the Moon from Earth. Generally for those submissions for which the artist’s level of knowledge regarding the lunar environment could not be determined, I gave them a Validity grade that was in line with the grade I had given them for their Artist Statement and Creativity and Artistic Expression.

For my part I am anxious to see the final results of the contest - if just to find out how well the entries that I gave top scores to did. I will post a follow up here once the winners of the art contest are announced.

The Illustration

To illustrate this post I decided to create a quick work of space art using Adobe Photoshop. One of the books I’m reading right now, a book I highly recommend, is
How to Read a Modern Painting: Lessons from the Modern Masters by Jon Thompson. One of the paintings discussed in this book is Road with Men Walking, Carriage, Cypress, Star, and Crescent Moon by Vincent van Gogh. Being astronomically oriented, my focus was on van Gogh’s portrayal of the sky, star, and Moon.

For my Space Art Experiment picture I experimented by creating a textured background sky from overlapping circles, creating nonuniform stars each with a color gradient, and finally adding a planet and moon created from a series of imperfectly aligned colored circles subsequently shaded to reflect a day/night side to each.

While generally pleased with how this experiment turned out, I don’t know that I am sufficiently excited by it to create a full size print version using the same techniques. What do you think?

Recommended Reading
How to Read a Modern Painting: Lessons from the Modern Masters
by Jon Thompson

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Space Art and Astronomy Day

Saturday, May 2nd, 2009

Astronomy Day at Harper College
Map for Astronomy Day at Harper College

Saturday May 2, the Northwest Suburban Astronomers will be hosting an evening of astronomical activities at Harper College in Palatine IL. Some of what visitors can expect includes:

  • Telescopes on Display
  • Access to the Campus Observatory
  • Astronomy Lectures
  • Displays and Photographs
  • Projects for Children

I will be one of the lecturers and I’ll be talking about space art. The title of my presentation is Art and the Exploration of Space. I provided the following description of my talk to the NSA:

Art has been used as a means of visualizing alien worlds and illustrating science fiction magazines. The arrival of the space age provided art with a new purpose: the visualization of the human exploration of space. This presentation provides a historical overview of the evolution of space art and the means by which art has been used to capture and portray humanity’s first steps into the space frontier.

This is an expanded version of a talk I originally gave in 2008 at the International Space Development Conference in Washington D.C.

Note that this Astronomy Day event will be held rain or shine. Most of the activities are inside. If the sky is clear, telescopes will be available for viewing a variety of celestial objects. The event is free and suitable for both adults and children.

Astronomy Day Details
Saturday May 2, 2009 at 5:30 pm
Programs begin on the hour at 6:00, 7:00, and 8:00
The Planetarium Dome admission requires a free ticket available at the information desk

WHERE:
William Rainey Harper College, Building Z
Algonquin Road Entrance, Parking Lots 2 & 3
Palatine, IL

Ad Astra, Jim

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Martian Sand Ripples

Monday, March 9th, 2009

Martian Sand Ripples
Martian Sand Ripples

I’ve just added a rendition of a Mars Exploration Rover image of sand ripples to my Space Art Gallery. This is an artistically modified version of an image I created a couple years back for use in a presentation I was giving about the Mars Exploration Rover mission. This particular image was captured by Opportunity while exploring Endurance Crater.

My interest in this image was recently renewed when I was contacted by the editor of The Mars Quarterly and asked if I would be willing to donate the image for publication in their next issue. As a former officer of and financial donor to the Mars Society I had absolutely no problem with this request. The Mars Society is unique in its devotion to the goal of human missions to Mars. For more information, visit the Mars Society web site.

Off topic, one of my favorite quotes uniquely combines my interest in Mars with my interest in programming - sort of. The source of the quote is Rick Cook who was the Mission Manager for the NASA Mars Pathfinder program and who wisely stated that “Programming today is a race between software engineers striving to build bigger and better programs, and the Universe trying to produce bigger and better idiots. So far, the Universe is winning.” Of course common sense says never bet against the universe.

For information about the signed, limited edition version of Martian Sand Ripples, visit the
Martian Sand Ripples web page. Unsigned, open edition prints are available in varying sizes from Fine Art America. For details, see
Martian Sand Ripples at Fine Art America.

Ad Astra, Jim

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Quantum Moon Space Art

Tuesday, February 17th, 2009

Quantum Moon Space Art Print
Quantum Moon by Jim Plaxco, 26 by 18 inches

I’ve added yet another work of lunar art to my Moon Art Gallery. This time it is a piece titled Quantum Moon. With this particular piece I wasn’t so much interested in the Moon as in working on a new method of digitally painting the image.

The method I used to create Quantum Moon bears some similarity to pointillism but is different in some crucial ways. First the dots overlap - much more so than in pointillist paintings. Second, in traditional pointillism the artist is to avoid mixing colors. Rather, primary colors are applied as dots in such a way as to work with the human eye with the eye doing the color mixing in a process known as optical mixing. I did not follow this method. My primary interest was in the texture that resulted from the application of overlapping circles of color.

The texture that resulted from this overlapping method is not visible in smaller images. However if you go to the Quantum Moon gallery page you will see a link for the “Mare Crisium section of Quantum Moon” which takes you to a full size view of that portion of the painting.

I’ve also made an open edition print version of Quantum Moon available at Fine Art America. The print is available in a variety of sizes with a variety of papers to choose from, including canvas. To see what exactly I’ve made available, see
Quantum Moon Open Edition Print from Fine Art America. The page also provides full size previews for user selected sections of the painting.

I have only just begun selling open edition prints through Fine Art America and have only made four pieces available to date. All four are astronomical art pieces and all four feature a Moon. I wonder if there is any cosmic significance in that?

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New Space Art - Moon: Assembly Required

Tuesday, February 3rd, 2009

Moon: Assembly Required Art Print
Moon: Assembly Required, 16 x 16 inch print

Yesterday I added a new space art print to my web site. Moon: Assembly Required is an impression of the birth of our Moon. Today, the accepted theory is that our Moon was formed as the result of a collision between the Earth and another protoplanetary body that was approximately the size of Mars. This collision destroyed both that unknown body and the original Earth. It was from the debris of this collision that the Earth reformed and the Moon was born.

As to this particular digital art creation, this is a departure in style for me. Looking over my prior space art, both that which I’ve published so far to my Artsnova Space Art Gallery and that which I have yet to add (which far exceeds that which I’ve actually added) Moon Assembly Required is distinctive. It is not meant to be a rendering of what that formation may have looked like but is instead a symbolic interpretation. Coloring, brush stroke, and texture are also departures in style.

Looking over other space art that I’ve done in the past, they all differ in style to one degree or another. I blame this on the fact that I am a digital artist. By its very nature, the digital medium encourages experimentation. It’s not just the variety of tools available but the flexibility with which those tools can be used to apply line, color, and texture to the digital canvas. Of course the downside of digital art is that software is ever changing - meaning the digital artist is going to be spending a fair amount of time reading manuals and relearning how to use their digital art tools.

Visit the Moon: Assembly Required Space Art Gallery Page for more information about this print.

Ad Astra, Jim

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Book Review: NASA/ART: 50 Years of Exploration

Sunday, January 18th, 2009

NASA/ART: 50 Years of Exploration
NASA/ART: 50 Years of Exploration Art and Book Cover

I have just completed a book review of the space art book NASA/ART: 50 Years of Exploration. I was originally going to post it here but the review turned out to be longer than I originally anticipated. I therefore decided to add the book review to my web site. In addition to the book review, I’ve also included a number of links to related space art resources on the web

The bottom line is that if you are a fan of space art then this book is a worthwhile purchase. Note that the artwork shown in this book is restricted to the space art that was created as a part of the NASA Art Program.

Enjoy, Jim

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